ICONICITY IN ARCHITECTURE AND FASHION - PARALLELS AND RELATIONSHIPS IN THE 20TH AND THE BEGINNING OF THE 21ST CENTURY
DOI:
https://doi.org/10.24867/03FA17SavicKeywords:
architecture, fashion, parallels, style, idol, iconic statusAbstract
The basic idea of this work is to examine parallels and relationships between two creative arts, architecture and fashion, at the end of the 20th and the beginning of the 21st century, through a theoretical examination of their similarities and differences, whereby fashion is recognized as an artistic discipline. Prominent architects and fashion designers are allowed to become icons and these creative professionals are some of the most famous artists who practice design and thereby achieve iconic status within popular culture.
References
[1] Conrads, U., Programs and Manifestoes on 20Th-Century Architecture. Cambridge: The MIT Press, 1975.
[2] Hurlock, E. B., The psychology of dress: an analysis of fashion and its motive. New York: The Ronald press company, 1984.
[3] Quinn, Bradley, The Fashion of Architecture. New York: Berg, 2003.
[4] Wigley, Mark, White Walls, Designer Dresses. Cambridge, MA: MIT Press, 1995.
[5] Hodge, Brooke, Skin + Bones: Parallel Practices in Fashion and Architecture. Los Angeles: Museum of Contemporary Art, 2006.
[2] Hurlock, E. B., The psychology of dress: an analysis of fashion and its motive. New York: The Ronald press company, 1984.
[3] Quinn, Bradley, The Fashion of Architecture. New York: Berg, 2003.
[4] Wigley, Mark, White Walls, Designer Dresses. Cambridge, MA: MIT Press, 1995.
[5] Hodge, Brooke, Skin + Bones: Parallel Practices in Fashion and Architecture. Los Angeles: Museum of Contemporary Art, 2006.
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Published
2019-07-29
Issue
Section
Architecture
