THROUGH THE LENS: ARCHITECTURE, THE CITY AND THE PHOTOGRAPHIC MEDIUM IN THE XX AND XXI CENTURY
DOI:
https://doi.org/10.24867/14FA12AnicicKeywords:
architecture, photography, city, society, modernism, contemporary ageAbstract
The main subject of research is architectural photography in the XX and XXI century, presented through interdisciplinary coverage. The first part of the thesis presents the history of architectural photography, which includes its influence on the development of the modern movement, as well as the influence on modern man and the change in his perception of space. The second part of the paper is dedicated to the consideration of the role of the photographic medium in the architecture of modernism, as well as its influence on the contemporary city and society.
References
[1] M. Hyun, Seeing Architectural Photographs: Space and Time in the Works of Julius Shulman and Ezra Stoller. Atlanta: Georgia Institute of Technology, 2016, pp. 4-5
[2] A. Higgot, T. Wray, Camera Constructs: Photography, Architecture and the Modern City. Burlington: Ashgate, 2012, pp. 35
[3] Rosa, Architectural Photography and the Construction of Modern Architecture, History of Photography, 22:2, pp. 99-104
[4] C. Robinson, J. Herschman, Architecture Transformed: A History of the Photography of Buildings from 1839 to the Present. Cambridge: The MIT Press, 1987, pp. 118-119
[5] J. Pallasmaa, The Eyes of the Skin: Architecture and the Senses. Chichester: Wiley-A Academy; John Wiley & Sons, 2005, pp. 19
[6] N. Leach, Anaesthetics of Architecture. Cambridge: The MIT Press, 1999, pp. 7
[7] M. Reinhardt, Vision’s Unseen: On Sovereignty, Race, and the Optical Unconscious. London: University Press, 2017, pp. 176
[8] N. Leach, Anaesthetics of Architecture. Cambridge: The MIT Press, 1999, pp. 59
[9] M. Hyun, Seeing Architectural Photographs: Space and Time in the Works of Julius Shulman and Ezra Stoller. Atlanta: Georgia Institute of Technology, 2016, pp. 10
[10] R. Neutra, On the Past and Future Tensions Between Documentation and Esthetics in Architectural Photography. Albany CA: Arts, 2014, pp. 336-339
[11] Delo autora
[12] Delo autora
[2] A. Higgot, T. Wray, Camera Constructs: Photography, Architecture and the Modern City. Burlington: Ashgate, 2012, pp. 35
[3] Rosa, Architectural Photography and the Construction of Modern Architecture, History of Photography, 22:2, pp. 99-104
[4] C. Robinson, J. Herschman, Architecture Transformed: A History of the Photography of Buildings from 1839 to the Present. Cambridge: The MIT Press, 1987, pp. 118-119
[5] J. Pallasmaa, The Eyes of the Skin: Architecture and the Senses. Chichester: Wiley-A Academy; John Wiley & Sons, 2005, pp. 19
[6] N. Leach, Anaesthetics of Architecture. Cambridge: The MIT Press, 1999, pp. 7
[7] M. Reinhardt, Vision’s Unseen: On Sovereignty, Race, and the Optical Unconscious. London: University Press, 2017, pp. 176
[8] N. Leach, Anaesthetics of Architecture. Cambridge: The MIT Press, 1999, pp. 59
[9] M. Hyun, Seeing Architectural Photographs: Space and Time in the Works of Julius Shulman and Ezra Stoller. Atlanta: Georgia Institute of Technology, 2016, pp. 10
[10] R. Neutra, On the Past and Future Tensions Between Documentation and Esthetics in Architectural Photography. Albany CA: Arts, 2014, pp. 336-339
[11] Delo autora
[12] Delo autora
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Published
2021-10-04
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Section
Architecture
