RECONSTRUCTION AND REVITALIZATION OF STUDIO M: CLAIMING THE VOID

Authors

  • Anja Marjanović Autor

DOI:

https://doi.org/10.24867/23FA05Marjanovic

Keywords:

spatial void, architecture of the void, heritage revitalization, Studio M

Abstract

This work draws a parallel between the theoretical framework of the main topic – a spatial and spiritual void of an architecture and the physical reality of an example of the Yugoslav modernist heritage – the acclaimed Studio M in Novi Sad. The research emphasizes a specific architectural design aspiration to fill in the voids created under the overall transitional influences over time, thus proposing a thesis on disappearance of the old values and establishing of the new ones, apt to change the predictable flows of history. Aiming towards the overall merge of the past and the future experiences into one integral space, regardless of their mutual comparation, the reconstruction and revitalization processes enable the particular spatial unity.

References

[1] M. Šilić, The monograph „Architect Pavle Žilnik" , Univerzitet u Novom Sadu, Akademija umetnosti Novi Sad, 2020.
[2] V. Gligorov, „Jugoslavija u istorijskoj perspektivi“ Helsinški odbor za ljudska prava u Srbiji, 2017.
[3] E. Panofsky, „ Perspective as Symbolic Form“ 1927.
[4] A. Rossi, „ The Architecture of the City“, 1966.
[5] R. Đurašinović i M. Zeković, „Pozorište kao generator novog konteksta“, Zbornik radova Fakulteta tehničkih nauka, 2/21: 197-200.
[6] R. Dinulović, „Ideološka funkcija arhitekture u društvu spektakla“ Association of applied Arts, Artists and Designers of Serbia (ULUPUDS), 2012.

Published

2023-06-08