DIGITAL THEATER COSTUME: REDESIGN AND CONSTRUCTION
DOI:
https://doi.org/10.24867/30EF02IlicKeywords:
theater costume, theater costume redesign, Pygmalion, Marvelous DesignerAbstract
Theater costume is considered a cultural phenomenon that creates a visual impression by sending a series of non-verbal messages. This paper explores the premise by digitally recreating the costume worn in the play 'Pygmalion'. It obtains sketches and costumes and uses them for costume redesign in Marvelous Designer. This approach seeks to determine whether a redesigned costume can capture the essence of the character, despite its transformations.
References
[1] Marvelous Designer, Marvelous Designer. [Online]. CLO Virtual Fashion Inc, 2024.
[2] L. Taylor, The Study of Dress History. Manchester University Press, 2002. [E-Book], Available: Google Books.
[3] D. Barbieri i S. Pantouvaki, “Towards a philosophy of costume,” Studies in Costume & Performance, vol. 1, pp. 3–7, 2016.
[4] N. Korablova, S. Oborska, H. Chmil, I. Gavran, i O. Bezruchko, “Stage costume as an important element of the subject environment in cinema and theatre,” vol. 12, 2024.
[5] E. Goepp, “An essay toward a philosophy of costume,” Quarterly Journal of Speech, 14(3), pp. 396–411, 1928.
[6] R. Hann i S. Bech, “Critical Costume,” Scene, vol. 2, no. 1–2, pp. 3–8, 2014.
[7] S. Pantouvaki, “Costume in the Absence of the Body,” in Presence and Absence, 2014, pp. 101–127.
[8] M. L. Carriger, “Costume,” in The Routledge Companion to Scenography, Routledge, 2017.
[9] R. Ingham, The costume designer's handbook : a complete guide for amateur and professional costume designers. Englewood Cliffs, N.J. : Prentice-Hall, 1983.
[10] R. Kwakye-Opong i G. U. Adinku, “Costume as Medium for Cultural Expression in Stage Performance,” vol. 8, 2013.
[11] E. Wilson, Adorned in Dreams: Fashion and Modernity, Rutgers University Press, 2003.
[12] K. Kaič, “Tibor Vajda,” 2013. [Online]. Dostupno na: https://srpskaenciklopedija.rs/books/slovo-v/page/vajda-tibor. [Pristupljeno: 08.07.2024.].
[13] D. Paunović i G. Čolović, Konstrukcija ženske odeće. Teagraf-Beograd, 1999.
[2] L. Taylor, The Study of Dress History. Manchester University Press, 2002. [E-Book], Available: Google Books.
[3] D. Barbieri i S. Pantouvaki, “Towards a philosophy of costume,” Studies in Costume & Performance, vol. 1, pp. 3–7, 2016.
[4] N. Korablova, S. Oborska, H. Chmil, I. Gavran, i O. Bezruchko, “Stage costume as an important element of the subject environment in cinema and theatre,” vol. 12, 2024.
[5] E. Goepp, “An essay toward a philosophy of costume,” Quarterly Journal of Speech, 14(3), pp. 396–411, 1928.
[6] R. Hann i S. Bech, “Critical Costume,” Scene, vol. 2, no. 1–2, pp. 3–8, 2014.
[7] S. Pantouvaki, “Costume in the Absence of the Body,” in Presence and Absence, 2014, pp. 101–127.
[8] M. L. Carriger, “Costume,” in The Routledge Companion to Scenography, Routledge, 2017.
[9] R. Ingham, The costume designer's handbook : a complete guide for amateur and professional costume designers. Englewood Cliffs, N.J. : Prentice-Hall, 1983.
[10] R. Kwakye-Opong i G. U. Adinku, “Costume as Medium for Cultural Expression in Stage Performance,” vol. 8, 2013.
[11] E. Wilson, Adorned in Dreams: Fashion and Modernity, Rutgers University Press, 2003.
[12] K. Kaič, “Tibor Vajda,” 2013. [Online]. Dostupno na: https://srpskaenciklopedija.rs/books/slovo-v/page/vajda-tibor. [Pristupljeno: 08.07.2024.].
[13] D. Paunović i G. Čolović, Konstrukcija ženske odeće. Teagraf-Beograd, 1999.
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Published
2025-02-09
Issue
Section
Gaphic Engineering and Design
